⠸⠨⠪⠸⠨⠪⠸⠨⠪⠊⠎⠎⠎⠎⠎⠮⠺⠸⠪⠮⠳⠝⠮⠯⠯⠯⠟⠿⠻⠿⠯⠿⠽⠽⠺⠕⠯⠺⠪⠺⠸⠜⠜⠜⠜⠜⠜⠌⠎⠜⠔⠅⠇⠪⠢⠱⠘⠔⠱⠨
⠸⠘⠔⠕⠜⠔⠕⠜⠔⠕⠕⠕⠕⠕⠕⠇⠗⠕⠗⠝⠽⠺⠽⠯⠿⠾⠻⠽⠟⠿⠿⠽⠿⠾⠽⠝⠗⠽⠪⠧⠳⠱⠝⠜⠜⠜⠜⠔⠕⠜⠜⠌⠎⠆⠣⠱⠘⠌⠎⠢
⠸⠘⠔⠕⠕⠕⠕⠜⠜⠜⠜⠜⠜⠕⠕⠵⠕⠝⠮⠳⠽⠽⠽⠯⠿⠟⠿⠯⠿⠟⠿⠯⠿⠟⠿⠺⠮⠯⠫⠞⠝⠮⠺⠸⠸⠱⠱⠱⠱⠑⠕⠕⠜⠜⠜⠔⠅⠇⠆⠣
⠸⠸⠸⠸⠰⠱⠱⠱⠱⠱⠱⠱⠹⠸⠪⠳⠕⠗⠵⠫⠯⠯⠟⠷⠿⠿⠿⠾⠷⠿⠿⠾⠯⠿⠾⠽⠝⠷⠝⠮⠯⠮⠳⠹⠜⠜⠕⠕⠕⠕⠕⠕⠕⠱⠑⠕⠜⠸⠨⠪
⠸⠸⠸⠸⠸⠸⠸⠸⠜⠎⠮⠪⠮⠪⠳⠕⠯⠺⠵⠳⠯⠻⠺⠽⠻⠽⠿⠷⠿⠿⠿⠷⠿⠽⠯⠟⠗⠟⠞⠝⠮⠳⠣⠳⠝⠜⠎⠇⠇⠗⠕⠕⠕⠕⠕⠕⠅⠇⠎⠕
⠇⠇⠇⠇⠇⠧⠳⠱⠕⠕⠧⠳⠕⠗⠝⠮⠫⠮⠳⠽⠺⠮⠗⠯⠯⠷⠿⠟⠿⠟⠿⠿⠾⠽⠻⠞⠵⠳⠧⠳⠝⠮⠣⠗⠽⠸⠪⠣⠳⠱⠕⠵⠱⠱⠱⠱⠱⠑⠕⠱
⠇⠗⠝⠜⠜⠎⠮⠣⠳⠹⠪⠳⠝⠎⠯⠳⠝⠞⠮⠗⠽⠽⠳⠯⠿⠽⠯⠿⠽⠯⠿⠯⠿⠽⠞⠾⠺⠽⠺⠪⠷⠝⠞⠮⠺⠜⠎⠧⠳⠹⠸⠜⠎⠮⠪⠪⠪⠪⠪⠪
⠇⠗⠝⠜⠕⠝⠮⠪⠞⠮⠳⠝⠮⠳⠽⠝⠞⠮⠯⠻⠺⠽⠺⠯⠿⠽⠯⠷⠟⠿⠻⠽⠯⠿⠽⠺⠺⠳⠳⠽⠝⠮⠫⠳⠝⠼⠵⠝⠎⠧⠳⠕⠝⠜⠎⠞⠜⠜⠜⠜
⠇⠏⠮⠪⠺⠜⠮⠪⠳⠝⠞⠎⠗⠝⠮⠳⠕⠯⠳⠳⠽⠝⠾⠫⠯⠯⠷⠻⠗⠯⠿⠺⠯⠿⠽⠺⠳⠳⠳⠯⠯⠞⠗⠽⠪⠗⠯⠮⠫⠳⠹⠪⠪⠎⠗⠝⠜⠜⠜⠎
⠱⠱⠱⠑⠕⠕⠕⠕⠕⠝⠜⠜⠕⠕⠕⠝⠜⠕⠭⠫⠺⠪⠳⠳⠝⠞⠽⠵⠳⠫⠟⠽⠽⠽⠝⠞⠞⠞⠮⠯⠺⠕⠯⠺⠵⠝⠎⠮⠣⠳⠹⠸⠸⠸⠘⠜⠜⠌⠪⠢
⠸⠐⠕⠕⠱⠑⠕⠱⠱⠱⠱⠱⠱⠱⠱⠱⠕⠕⠝⠜⠎⠮⠣⠳⠕⠯⠺⠹⠪⠞⠽⠝⠝⠮⠳⠕⠏⠎⠣⠃⠍⠊⠌⠐⠐⠅⠢⠨⠨⠈⠈⠐
⠐⠅⠣⠊⠆⠣⠃⠇⠕⠜⠌⠎⠪⠪⠪⠪⠪⠱⠱⠱⠹⠸⠘⠕⠕⠕⠥⠹⠨⠣⠩⠊⠔⠡⠂⠑⠅⠅⠊⠐⠨⠐⠐⠠⠁⠁⠁⠐ ⠂ ⠁ ⠈ ⠈
⠐⠔⠑⠌⠢⠑⠜⠐⠱⠘⠌⠢⠑⠅⠕⠨⠂⠑⠔⠨⠂⠕⠡⠊⠔⠡⠑⠌⠌⠔⠑⠈⠂⠐⠠⠈ ⠂⠠ ⠂⠁ ⠂⠁ ⠠ ⠂⠁ ⠂
⠈⠂⠂⠅⠂⠅⠂⠊⠐⠄⠅⠂⠅⠌⠐⠨⠐⠐⠈ ⠂⠨⠈⠈⠂⠄⠁⠁⠡⠈⠠ ⠐⠈ ⠁⠐ ⠂ ⠠ ⠂ ⠠
⠂⠁⠁⠐ ⠐ ⠄ ⠐ ⠁⠈ ⠂⠠ ⠐ ⠄⠂⠐ ⠂⠈ ⠂⠁ ⠄⠐ ⠁ ⠈ ⠈ ⠠
⠂ ⠁ ⠂⠁ ⠄⠁ ⠁ ⠁⠠⠐ ⠁⠠ ⠐ ⠁ ⠁ ⠠ ⠄⠂ ⠂⠈ ⠐ ⠁ ⠄ ⠐
⠄⠂ ⠠ ⠄⠁ ⠠ ⠄⠁ ⠠⠐ ⠠⠐ ⠄ ⠁ ⠄⠠ ⠐
Wizzrobe ⠂ ⠠⠈ ⠐⠈ ⠠ ⠄ ⠠⠐⠈
⠂⠈ ⠐ ⠂⠈ ⠈ ⠈ ⠠⠈ ⠄ ⠐ ⠐ ⠠ ⠐ ⠐ ⠠ ⠁
It's Light Outside ⠁ ⠄⠐ ⠄⠂ ⠢ ⠂ ⠐ ⠄ ⠈ ⠄ ⠂
⠁ ⠠ ⠄ ⠁ ⠁ ⠂ ⠄ ⠠ ⠄⠈ ⠐ ⠄⠁ ⠄ ⠐ ⠂
⠈ ⠄ ⠐⠈ ⠐⠈ ⠠⠐ ⠁ ⠁ ⠠⠈ ⠠⠐
- - - - - - - - - - - - - - - -
Side A [1] Surface Tension [2] Heat Makes Me Tired
Side B [1] Dry Soil [2] Cold Morning Air
All sounds, Words, Liner Notes, and Art by Brian Evans
A1/B1 Recorded in the room on the first floor around ~2012
A2/B2 Recorded in the shared space on the 2nd floor ~2008
- - - - - - - - - - - - - - - -
I don't have a lot of notes for these songs. The first track
on each side is instrumental. Both were recorded around the
same time. Probably the same month. Neither were named until
tonight as I write this in 2020. I came accross all four on
an old hard drive tonight and thought that they were pretty
ok and that it would be cool if a few people heard them. So
they, along with the album and band name, got titles. The
one titled "Dry Soil" here exists in a version with a vocal
by a friend. I think I prefer the instrumental though. These
tracks were found in the first place because the friend that
sang on "Dry Soil" wanted my permission to use a re-recorded
and re-imagined version on an album she is putting together.
I'm glad I was able to find both the original with her and
this instrumental version. Both instrumental pieces were
recorded in the bedroom at the house I was staying at the
time. I believe the guitars were through a Crate combo amp.
That was put into pro tools and drums and direct bass were
added. I'm sure the effects pedals on the guitar were legion
but I cannot really remember what was used.
The other two tracks are spoken word tracks. I was listening
to Slint at the time and I think I had just met the woman
who, ten years later, would become my wife. She was in grad
school for creative writing and was really into poetry. I
also like poetry a lot, but do not fancy myself a poet...but
I like weird little stories without much context, so I made
these. We, she and I, would later collaborate a bit between
her writing and my music. But that is a story for some other
liner notes. These two tracks were recorded with a borrowed
drum machine and the cheapest bass guitar ever made (really,
I think it was bought new for $60 US a few years prior).
I'm not sure why I chose to pair these two sets of unrelated
songs together other than that I came across them again
after so many years and they felt alright together.
Different, but of a certain sort.
- Brian Evans (2020-05-18)
gemini://gemini.circumlunar.space/~sloum/Wizzrobe-Its_Light_Outside-Notes.txt